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Filtering by Category: essay

Estival Survey + Alaska

Ben Ashby

About two seconds.

That’s what you have between being asked and your response; before you let on.

It’s important first, to acknowledge we’ve reached the era of total geographical and technological accessibility. Our generation has become comfortable, in such a way that we can begin to treat a trip to say— Vik with as much insouciance as some may have once— and do, their honeymoon to The Bahamas. So with this accessibility, it’s become less uncommon to cross paths with those whom venture frequently. I believe it’s the sheer magnitude of some variables that revolve around certain destinations; kilometers driven, meters climbed, batteries exhausted, that continue to garner an audience eager to follow along, and possibly take part in the journey through your response. Your response, however, is what you control. Following the great distances and scenes catalogued, you have a brief opportunity to contort history to serve the limelight into which you’re asked to share it.

About two seconds: to say the trip was perfect, or to tell the truth.

We’d gone in, a band of misfit storytellers, documentarians, broken hearts and transcontinental navigators. We’d agreed to drive our friends’ [@floatballoontours] hot air balloon from Phoenix, some four thousand long miles, to Anchorage. Upon our arrival, the Cloth & Flame (@clothandflame) and Royal & Design (@royalanddesign) teams would rendezvous and fly the balloon over the great Alaskan frontier. We’d camp, cook and share in campfire tomfoolery along the way. We’d collect our cast as the journey unfolded, and exchange it as the screenplay called. We’d gather the endorsement of our favorite like-minded brands, and set course into the true unknown, unruly and untamed wilderness of the far, far north. We’d no idea what we were getting into, but as the self-proclaimed crew of the first Survey; Estival Survey, we had done the best we damn could to prepare.

Our initial trajectory took us across Joshua Tree National Park, Los Angeles, the mighty Redwood Forest, San Francisco, the dunes of Oregon, and up to Seattle, Washington, over the course of roughly seven days. It was seldom a matter of beauty, where our attention strayed, as it was a matter of cognitive survival. This was meant to be the mild stretch— the familiar territory where we’d have ample time and resource to recuperate and charge our souls before moving onward.

The reality, and the response we wish to share is that behind the glamor, there lies a greater truth. Fevers, flies, poisonous vines, damp earth and sleeplessness all laid the groundwork to a remarkably taxing expedition. The nauseatingly vast stretch across Canada had begin to set in several hours after crossing the border. The decision had been made to trek through until our final destination. We made several day camps— of course given the extensive amount of daylight the further north we ventured, allowed for some flexibility with this. Kathleen Lake, Yukon was arguably one of the most beautiful places we could have ever hoped to lay our heads, hammocks, and sip a beer in freshwater at. We knew, however, our time was limited, as we wished to make schedule to Alaska. We drove, and drove, and drove into some great towering blackness; bear dotted gravel ways and tree lines set to stun. We drove, and drove.

 

Our time in Alaska felt short. It felt longer than the days we occupied it, and somehow still brief. I think it’s the madness of going that causes this. The brands we had partnered with allowed for several remarkable campsites and experiences; unparalleled landscapes of blue, and soft etchings of green. Not to say we weren’t in some ways sick, smoke tainted and tattered. Several of us had developed sever reactions and wounds. It was rough. Tempers were fickle. We pressed on, to admire and notice the Earth we escaped to find, and connect with one another in ways we left home to conquer...

When the brazen adventure seemed to be nearing its end, I received an unexpected opportunity to plunge myself one more time into the throws of the unknown. On my last day in Alaska, one of our hot air balloon pilots, Jeff, a slow-talking, wispy outdoorsman with a salt and pepper mustache and a sweat-stained baseball cap, offered to fly one member of the Estival Survey crew over the Knik Glacier in his plane to snap photos since weather would not permit us to charter a helicopter and fulfill our ultimate dream of flying the hot air balloon over the glacier. Knowing it was my last day, my beloved crew of cohorts voted unanimously that I should be the one with the privilege of taking this flight. We went to the local airport and walked up to a 1958 super-cub single-prop plane. At first I was a little nervous about getting in that rickety old thing, but true to the spirit of our journey, I went for it.

Photo by S. Cole Kiburz (@coleplay)

We flew over Anchorage and roughly another fifty miles over gorgeous Alaskan frontier to the edge of Inner Lake Gorge which connects to the mouth of Knik Glacier. That’s when old Jeff announced to me over the intercom headsets that we were going to be landing there. We hiked to the edge of the lake to take in the view of the massive icebergs floating in the water. After a little while, old Jeff, inadvertently stumbled upon an old, overturned canoe that was hiding in the brush. We flipped it over to reveal two sun-bleached life preservers and two oars. The canoe frame was bent crooked in several places and there was a large crack in the green frame which is almost certainly why it had been left behind. There are no roads to take you to this lake so the canoe must've been flown in  by helicopter at some point. Jeff duct-taped the crack in the canoe and we tested it's ability to float in the shallow water. Once we were confident that the boat wasn't going to sink, we decided to get in and take it through the maze of icebergs; the majesty and grandness of which I will never be able to fully describe. The crackling, squeaking, breathing noise of the ancient ice and how each jagged tower was as beautiful as any sculpture. The blues were comically over-saturated and the whites were blinding. We grabbed a couple chunks of ice that had broken off and fallen into the lake. I don't know fully how to describe it, but this ice was somehow colder than normal ice. We wrapped a couple chunks in a jacket and flew it back to Anchorage with us.

Later that night, when my time on the adventure came to an end, the remaining crew ofEstival Survey poured a glass of whiskey over top of the ice and cheers’d to what had genuinely been, the trip of a lifetime.

Photo by S. Cole Kiburz (@coleplay)

This isn’t about running away from your problems or grandstanding or crusade. It’s about connecting with the natural world that is so easy to overlook in the times we live in. It’s about rectifying the blisters on your feet with the sunset from the mountaintop. It’s cleaning your hands and face in the cool waters of the river. I believe that the answers we seek reside within us, always. We are born of truth, but the unbridled beauty of this planet can help bring that truth out of us. Sometimes it’s simple; like how rain on the canvas tent can enhance the reading of a book. Sometimes it’s profound; like the twilight nights around the fire when the sun never fully set; when you question god and yourself. It’s when you realize once and for all that you ain’t no wilting twig damned to a cracked pot. You are a wildflower, born of the sun and the dirt. It’s when you agree to give it hell and see where you end up. It’s when you get up and get going. It’s when you let the compass point you forward and the stars compel you onward. It’s my sincerest hope that we may all meet with vigor the challenges of our destinies.

I aligned with an idea that life could be compared to attempting to lift the stool you're sitting on. I'm now more inclined to think it best described as adrift in a hot air balloon. Silence until noise. Still until caught. It all seems simple, and then you look around beyond the comfort of your woven chariot. You are at the mercy of variables beyond control, with your only powers to react or not. You notice places slip by below, and wonder whether they too had stories; whether they too have chosen a response, or one day will. Regardless, they pass. Regardless, the horizon will never repeat itself, for by the time you circle the sphere, the landscape has changed again.

We’d gone in, a band of misfit storytellers, photographers and makeshift transcontinental navigators. We’d agreed to drive our friends’ [Float Balloon Tours] hot air balloon from Phoenix, some four thousand miles, to Anchorage. Upon our arrival, the Cloth & Flame and Royal & Design teams would rendezvous and fly the balloon over the great Alaskan frontier. We’d camp, cook and share in campfire tomfoolery along the way. We’d collect our cast as the journey unfolded, and exchange it as the screenplay called fitting. We’d gather the endorsement from our favorite like-minded brands, and set course into the true unknown, unruly and untamed wilderness of the far north. We’d no idea what we were getting into, but as the self-proclaimed crew of the first Survey; Estival Survey, we had done the best we damn could to prepare. Created by Ryan Neal Cordwell & Royal & Design, 2016 Feat. Song For a Girl, "Orem Dugas," Jared & The Mill, 2016

Estival Survey, 2016 (#EstivalSurvey)

Words by Ryan Neal Cordwell (@ryannealcordwell) & S. Cole Kiburz (@coleplay)

Film by Ryan Neal Cordwell (@ryannealcordwell, @royalanddesign)

Photos by Constance Higley (@constancehigley)

Team:

Ryan Neal Cordwell (@ryannealcordwell)

S. Cole Kiburz (@coleplay)

Dylan Brabec (@dylanbrabec)

Constance Higley (@constancehigley)

Michelle Johnson (@meeshalrj)

Brendan McCaskey (@jarofbuttons)

Cheyanne Paredes (cheyp)

Royal & Design (@royalanddesign)

Cloth & Flame (@clothandflame)

True Country

Ben Ashby

 

ESSAY BY: BLAKE PACK

When people dream of living in the country, I imagine they don't give much thought to the flies, pollen, grain chaff, and heat; the smell, wind, or dust. Growing up, the five-hundred head of livestock we owned consumed several tons of grain, hay, and corn each day; Let's just say not all of our dust was made of dirt. I don't know how the West was won, but I can imagine it probably conquered a few indomitable wills along the way.

 

I worked with these cattle in these conditions and I couldn't fathom thatthis land, this plain, was someone's romanticized dream of country life. I hated the work most. You couldn't escape the filthy combination of dust and grime, of animal and earth. When Grandpa said to be at the barn by seven, he didn't mean 0700, you were expected be there at 6:45 A.M. The cows wouldn't milk themselves at four in the morning, nor would the grain irrigate itself. The calves had to be fed, and the horses caught, all before nine if we were going to get to horse breaking.

 

I will admit the chore of breaking mostly fell to my Grandpa and father, but my brother and I had the privilege of holding the ropes as the colts kicked up the aforementioned dust. After several days of this repetition, the time came for my brother and me to run the horses like we were being chased by hellfire. It will never fail to amaze me how a colt in full sprint can reach back and bite his rider's shin without ever breaking stride.

I won't say it didn't have its rewards. We had our fair share of trips to the Palisades and Grand Tetons. Even if the trips required a wake-up call at five in the morning to catch horses, pack saddles, and load trailers. Six butts crammed into an extended cab '88 Chevy Dually for a two-hour drive, it wasn't ideal but it was all about the destination.

After several hours of riding, in these watercolor landscapes usually right about the time the pain from the saddle fell numb we'd return to the truck and, in reverse order, undo all the work of saddling the horses, repack, cram our butts back into the truck, and return home. Only this time, we'd stop by the first gas station we met where Dad would buy us whatever treat we wanted. At the end of our drive we'd drop the cousins and uncles off at their homes, leaving the work of unpacking to my brother, father, and me. Only when we had unpacked the horse trailer could we waddle home with our saddle-sore thighs and crawl into bed; Just to repeat it all the next day.

When people dream of living in the country, I don't imagine them giving much thought to the work and sweat that goes with a true country life, but that's just what I'll never forget.

On The Bright Side | Brandon Lopez

Ben Ashby

ON THE BRIGHT SIDE

MEET BRANDON LOPEZ 

 

His aesthetic is bright, crisp, and super clean. His photos brighten your day with their incredibly pleasing and refreshing simplicity. I had to learn more about how Denver based photographer Brandon Lopez developed his skills and his style.

Website - BrandonLopez.co | Instagram - @brandon.brightside |VSCO - vsco.co/brandonslopez

 

 

When did you start photography: My interest in photography was piqued three years ago when I lived in South Florida and was surrounded by so many great photographers, fashion designers, and street artists.

 

What caused you to get into photography: The pulse of creativity in South Florida inspired me to start thinking through each shot more technically - composition, light, texture, etc.

 

 

What was your first camera: The first camera I shot on was a Canon 5D Mark III that I borrowed from a friend in Colorado Springs. I barely knew - and maybe true still - what I was doing. 

 

What is your current camera: Currently shooting with a Canon AL 1. I’m trying to learn film, mostly by trial and error. It’s frustrating and exciting to shoot and develop a roll and see what turns out - it’s a patience thing.

 

What is your dream camera: Haven’t quite thought this through very much honestly, at least as far as an everyday camera. I’m still trying to find what feels most comfortable in my hand while shooting. If I had to name one, probably a Leica M3, but like most of us, I’ll keep dreaming.

 

 

Who inspires you: Fashion photographers like Samantha from @sammykeller in Denver and Jana from @ojandcigs in Miami are killin it right now. I love they’re style, the colors, the poses, the compositions, really their whole aesthetic is perfect. Street photographers like Joe from @ioestreet capture the human story in ways I only wish I could. Lastly, Toby from @tobyseeingthings is doing some pretty awesome work in minimalism - his series called ‘minimal body’ is one of my biggest sources of inspiration currently.

 

What inspires you: People inspire me. The people in my life, the people that pass me by every day. Everyone has a story to tell, whether that be through creative expression, vocation, or just conversation with strangers. 

 

 

What is your favorite subject to shoot, least favorite: Favorite would be people either candidly (street photo style) or somewhat staged. Currently I have this idea running through my head about social anxiety and feeling alone in a place that was once home. Looking in on people in what would feel like familiar settings we’ve all been in or known but in awkward or slightly uncomfortable poses - which sometimes (at least recently) is representative of how I feel in social situations. Lol. 

 

What do you feel is your greatest strength and what is your greatest weakness: I’ve been told my greatest strength is capturing people - so I’m running with that. Greatest weakness is probably the technical side of things, like operating a camera. Honestly this is a new form of expression for me. 

 

 

 

You have a very bright style, why? I like to keep my photos bright, colorful, and lively mostly to remind myself that this is what life is like. Honestly, I’ve been depressed for most of my life, growing up in a relatively religious home and keeping to myself about sexuality, along with a slew of other shit, has lead to some pretty dark days. And I’m not looking here looking for pity or ‘oh poor Brandon’ comments, but to show people who experience depression that there is a whole other side to their story that will come if they’re willing to fight for it - the bright side. 😉

 

 

What's a bit of life advice you'd give: Ha! You’re asking the wrong person for life advice. When I figure it out I’ll be sure to share. But to echo my answer for the last question, which actually sounds p corny when I read it back, but honestly life is a battle and if you’re willing to fight for what you love you will find that there is a whole community of people, with stories just as intricate and messy as yours, that will love and build you up. 

 

A Mountain Girl

Ben Ashby

A MOUNTAIN GIRL

PHOTOGRAPHY + ESSAY BY: LUKE GOTTLIEB

 

I grew up in a small town in the mountains of Colorado called Carbondale. It sits about 30 miles downriver from the iconic ski town of Aspen. You can imagine the sort of beauty and culture that area harnesses. Carbondale holds everything that is dear to me; rivers, mountains, wildlife, ranches and about everything you can imagine a small mountain town would. Most of my time growing up was spent running around in the woods and on ranches, which a few of my friends lived on. As any mountain child could recall, these sort of upbringings can certainly shape you. Certainly, they have shaped me and as I continue the journey of photography, which often brings me to cities such as Los Angeles, San Diego and beyond, it’s the mountains that ground me to the core. 

 

 

Over the last few months however, I was experiencing shoots that didn’t quite inspire me. So much of my work and projects take place in Los Angeles, where the pool of talented models, hair and makeup artists is endless. The industry is there in a big way, so over the last couple of years I have made it a point to be there often. As great as that is, it’s easy to get creatively exhausted and that is one of the biggest challenges for me in having an art form as my job. When you complete a project that truly speaks to you, that your truly proud of, you can feel that in a true and intense way. But getting to that point can be a hard and challenging road. Lately, I’ve been feeling the numbness of that weary road, and knew I needed to take a step back from the grind to focus on on finding new inspiration.

 

 

Recently, I had the pleasure of meeting a lovely gal by the name of Sarah Courtney. She’s a mountain girl through and through and her parents own this beautiful ranch in Buena Vista, CO. “Buena Vista”, which is Spanish for “Beautiful View,” is very much just that. The ranch sits at the foot of towering 14,000 foot peaks, and on this particular day, the infamous and unpredictable summer weather of Colorado was in full swing. Sweeping storm clouds had socked in the town for the day, but the ranch, nestled in the eye of these summer storms was some of the most stunning and dramatic light I have seen in a while. I hadn’t had a shoot that felt so close to home in such a long time. 

 

 

Sarah’s ranch is as amazing as any ranch could be; chickens, horses, random relics of the old days and a beautiful stately old barn that seems to watch over the ranch. Sarah herself is a proficient horseback rider and her connection with the horses is something that would inspire anyone. I wanted to capture this environment many people only know from films and show Sarah existing, naturally, authentically.

 

 

A sort of rejuvenation took place for me. The light was amazing, the styling was perfect, and for Sarah, it was her most authentic self being on the ranch around her horses. We walked around, shooting in multiple outfits and capturing anything that inspired us. Most of the time, I’m a portrait photographer in fairly controlled scenarios, being able to photograph this wild environment while capturing such a profound moment of connection between a woman and this beast was one of the most genuine, beautiful and grounding things for me. I had instant flashbacks to my childhood and my love for Colorado. 

 

 

I think things happen in life intentionally. For me, this shoot felt right. It felt like home and helped to refuel my soul in a way that continuing to grind out work could not. Certainly, from a photographer’s perspective… that of my own, i’m more inspired and driven after this experience. Often, we go around trying to figure things out as human beings instead of just allowing life to unfold. As I sit here eating some fresh eggs from Sarah’s ranch and listening to Bob Dylan, I look at this shoot as a testament to the notion that ‘home’ isn’t as far away as you think and who you truly are is always there. You just have to allow it to show up. 

 

Wales on Film

Ben Ashby

 

WALES ON FILM

A PHOTO ESSAY BY CHRIS BUXTON

 


 

Wales is the mountainous western cousin of England, a Celtic link to the past with over 1,180 km or 730 mi for us using the imperial system of coastline, and 50 islands decorating it. Boasting three national parks and the Heritage Coast, Wales is an untapped land of adventure. Chris Buxton, a lifestyle photographer based in Wales in the United Kingdom, uses 35mm film for most of his practice. He relies on film to achieve a feeling that digital cameras can't capture naturally.

 

 

 

Living in Wales, he'd never really travelled around the Welsh landscape and finally decided to explore it with his second set of eyes, his camera. "I was very shocked by how beautiful this country truly is," says Chris, "it has shown me that everyone needs to explore their own homes to see where they're truly from." Chris tries to capture the natural and inner beauty of the landscape of his homeland and put it on the maps of like-minded soul-searchers and explorers hoping to find a new destination and a new adventure.

 

 

 
 
 
 
 
 
 
 
 
 

A Southwest Love Affair

Ben Ashby

 

 

Today's photo gallery comes to us from Jordan Ison from Salt Lake City. You may know him better as @jordan_is on Instagram. 

I asked Jordan to share a bit about himself: 

I'm Jordan. I live in Salt Lake City, Utah. Born and raised. I have a love affair with the Southwest Desert. Spent most my life exploring different areas, and learning the history before taking up the camera to photograph it. I love the National Parks, but I love being off the beaten path more. 

I shoot medium format film, iPhone, and digital, in that order. I mostly shoot landscapes and portraiture with some lifestyle photography mixed in. 

Other things; I read a lot. I travel a lot. I eat a lot. I drink a lot of coffee. I lift heavy things. 

These photos are from Lake Powell and Lower Antelope Canyon.

 


PHOTOGRAPHY: JORDAN ISON

 
 
 
 
 
 
 
 

— @jordan_is

The Fog Lay Low

Ben Ashby

 

THE FOG LAY LOW

A JOURNEY THROUGH ISLAND

 


 

Iceland is a beautiful country of long roads and waterfalls. The fog lay low on the mountains during our visit, making it feel exactly how I hoped it would feel. The atmosphere was contagious.  I'll never forget the awe that I felt surrounding each landscape.

PHOTOGRAPHY ESSAY BY: NATHAN O'MALLY

SHOT USING AN IPHONE


 

 

Iceland is a beautiful country of long roads and waterfalls. The fog lay low on the mountains during our visit , making it feel exactly how I hoped it would feel. The atmosphere was contagious.  I'll never forget the awe that I felt surrounding each landscape.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

PHOTOGRAPHY ESSAY BY: NATHAN O'MALLY

A PNW Moment

Ben Ashby

 

Nothing beats the PNW. Sure, you see those 3 letters all over social media, but you really can't grasp the intrigue of this region unless your feet are in the dewy morning grass of Seattle. Waking up to breaking clouds and perfectly roasted coffee will you put you in a zen like state you've never felt before. Prior to a sunset fire on the beach, we worked our way out of the city and into the trees... In a Subaru of course :) Petite coffee shops, old railroads, and running creeks line the windy roads that lead you to a nature like you have never seen. So, grab a ticket, pack a bag, and take your friends to the PNW for the perfect weekend getaway.

PHOTOGRAPHY BY: ADAM SWARTZ

 
 
 

Look at Eldin in Iceland | Day Two

Ben Ashby

Today can be best described as a glimpse into monochromatic Iceland. We started early from Reykjavik and headed south, hitting two waterfalls, Skógafoss the most famous of the two. It is a 200 foot waterfall with a tiny, windy stairway to the top and seagulls nesting within the cliffs. From there, we trekked 4 KM by foot to reach the famous DC3 plane crash site. This site has a really cool really cool story: In 1973 a United States Navy DC plane ran out of fuel and crashed on the black beach at Sólheimasandur, in the South coast of Iceland. Everyone survived, and it turns out that the pilot packed the wrong fuel packet. Following that, we went to the black sand beach to see the basalt columns and caves. I was nearly swallowed by an unsuspecting wave, but managed to dig my boots into the ground and rode the course. After a quick change of clothes, we settled into a tiny log cabin cottage with the view of the mountains and the black sand beach through our front door.

PHOTOGRAPHY BY: ELDIN JASAREVIC

Look at Eldin in Iceland | Day One

Ben Ashby

"We got in Iceland this morning, rented a car, and plan on driving around the entire island along Route 1. Our first stop was Hellnar and Snæfellsjökull, and staying at the KEX Hostel in Reykjavik. Tomorrow we are heading south, hoping to hit Vik and many other spots along the way." —

PHOTOGRAPHY BY: ELDIN JASAREVIC